Pier Series

pier dock 

pier - street light 

that day near the pier

that deck with fence

paper/gouache

paper, gouache, ink

deconstruction

Pennisula

After Allegoria del Buon Governo (dettaglio dell Pace, Fortezza e Prudenza) - Siena, Palazzo Publico

deconstructed veils of reticence III & IV

deconstructed veils of reticence I & II

deconstructions

deconstruction - paper collage

connotation of infinity (detail) o/linen

forever trees, (detail) o/panel

"blind full steep love" e.e.cummings 48 x 36" o/canvas

thicker than forget 48" x 36" o/canvas

man and the moon and the moon and the moon - 18" x 24" o/panel

whatever a moon has always meant - 12" x 12" oil/panel

all by all and deep by deep - 10' x 10" oil/panel

but the sea does not change, 24" x 18" o/panel

a connotation of infinity- 24" x 18" o/panel

collage drawings - paper-gesso

fatal songs - 24' X 24' o/linen

Deconstructed landscapes; 8"x8" o/panel; 8"x10" o/cotton

the sky of a sky of a tree, 24' X 24' o/linen

study of land, sand, trees, sky - oil/paper

emotions rather than time and the regulated structure of society. - 24' X 24" o/linen

reconstruction - move in realness - oil/panel 16" x 20"

o/panel - 24" x 30"- reconstructed memory - forever trees

24' x 24" o/linen

summer dunes, duck harbor o/birch panel

Reconstructed Landscapes

a Reconsideration of Nature

August 17 - October 17, 2013

Kendall Gallery

40 Main Street

Wellfleet, MA  02667

www.kathleendjacobs.com

linseed, charcoal, conte, arches, wellfleet, ma

"Art is about form (visual shape is a metaphor for conceptual form), But in the course of the twentieth century, this very notion of form has become suspect.  This situation creates an interesting challenge for the visual arts: to find a form for formlessness, to show the form that has no form".
George Bataille: "Formless" (1929)